The Woman King is designed to get audiences cheering—however it does so without ignoring the brutal realities of fight.

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The excitement of a historical war film is frequently at odds with the subject. War itself is miserable, complex, and sometimes lacking in heroic purpose.

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Prince-Bythewood has always made films that mix the bitter and the sweet, irrespective of the style.

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Her stunning 2000 debut, Love & Basketball, pours romantic drama into the familiar structure of a sports movie.

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The leaders of Dahomey, like those of many African nations of the period, would sell prisoners of war taken from other tribes into bondage.

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Davis’s overall performance is resolute and steely, harking back to her outstanding lead paintings in Widows—she performs a man or woman whose poise belies plenty of hidden pain.

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Philosophical quandaries pervade all of Nanisca’s literal and metaphorical battles, towards each the neighboring nation and Portuguese slavers.

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The Woman King is a barn burner if you’re just looking for an invigorating night at the movies.

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